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“... to the British scientific community than any other institution, including the Royal Society. Morrell and Thackray go into the first decade or so of the BAAS in fine detail. There are plenty of light touches. For the York meeting Lord Milton is told that ‘philosophers are very fond of venison. Can you contribute to the culinary part of science by ...”

“... Smith, and to the woman who liberated him from the ruins of that first marriage, Lady Ottoline Morrell – must strike most readers as someone who, even in his early forties, was unequipped for adult emotional life. This volume, stout as it is, inevitably gives a fragmentary impression of Russell, even of Russell as a correspondent. Only a tiny fraction of ...”

“... Mabel set-up, with Anglo-Irish nobs Mrs Tennant and her careless, adulterous daughter-in-law Mrs Jack playing bit parts in the lives of their servants. The plot stages an ingenious double-take: Mrs Jack is caught in flagrante by the maid bringing in her breakfast, because what the servants see doesn’t count much, for ...”

“... I am frightened. But for two reasons only. I dont want to be ill, I mean ‘seriously’ away from Jack. Jack is the 1st thought. 2nd I don’t want to find this is real consumption, perhaps its going to gallop – who knows – and I shan’t have my work written. Thats what matters. How unbearable it would be to die, leave ...”

“... known as the ‘Gold Coast’ that was popular with aesthetic types; he took to frequenting Mrs Jack’s, the salon of the fabulously wealthy Isabella Stewart Gardner. Having raised three gay nephews, Mrs Jack was particularly tolerant of homosexuals, and was an influential patroness of the arts. Eliot’s correspondence ...”

“... about the law instead, in pieces about the Stephen Ward and Lady Chatterley trials for Esquire, Jack Ruby for Life, the Frankfurt Auschwitz trial for the Saturday Evening Post. ‘The law, the workings of the law, the daily application of the law to people and situations, is an essential element in a country’s life,’ she wrote in The Faces of Justice ...”

“... own conception. In a wild attempt to stop the cycle of suffering, he stabs his son with the same jack-knife he had used to murder his father. As the tragedy ends, the drumming hoofbeats resume. Purgatory is one of the boldest works of Yeats’s turbulent old age. Its reassertion, in the Old Man’s speeches, of the glories of the Protestant Ascendancy, and ...”